Shy - 1994 - Welcome To The Madhouse

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Shy - Welcome To The Madhouse: A Forgotten Gem of British Hard Rock

If you are a fan of melodic hard rock and AOR, you might have heard of Shy, a British band that emerged in the early 80s and had a successful career until the tragic death of their lead singer Tony Mills in 2019. Shy released several albums that showcased their catchy hooks, soaring vocals and impressive guitar work, but one of their most underrated and overlooked albums is Welcome To The Madhouse, released in 1994.

Welcome To The Madhouse was Shy's fifth studio album and their first with Granite Records, a small independent label. The album was produced by Roy Thomas Baker, who had worked with Queen, Journey and Foreigner among others. The album featured 12 tracks that ranged from hard rock anthems like \"Money\" and \"Burnin' Up\" to ballads like \"Breathe\" and \"Broken Heart\". The album also included a cover of Slade's \"Cum On Feel The Noize\", which Shy made their own with a heavier and more modern sound.

The album received positive reviews from critics and fans, but it failed to achieve commercial success due to poor promotion and distribution. The album was only released in the UK and Japan, and it was hard to find in stores. The band also faced some internal problems, as bassist Mark Badrick left the band shortly after the album's release and was replaced by Roy Davis. Shy continued to tour and record albums, but they never reached the same level of popularity as they did in the 80s.

Today, Welcome To The Madhouse is considered a cult classic by many hard rock and AOR enthusiasts, who appreciate its quality songwriting, production and performance. The album showcases Shy at their best, with Tony Mills delivering some of his finest vocals, Steve Harris shredding on the guitar, Paddy McKenna adding keyboards and orchestration, Alan Kelly pounding on the drums and Mark Badrick providing solid bass lines. The album is a must-have for any fan of Shy or British hard rock in general.One of the highlights of Welcome To The Madhouse is the production by Roy Thomas Baker, who gave the album a polished and powerful sound that matched the band's ambitions. Baker also added some orchestral arrangements and backing vocals that enhanced the songs' dynamics and emotions. The album sounds like a big-budget production, even though it was recorded in a small studio in Birmingham, England.

Another highlight of Welcome To The Madhouse is the performance of Tony Mills, who proved to be one of the best vocalists in the hard rock scene. Mills had a versatile and expressive voice that could handle any style, from hard rock to ballads to blues. He also had a distinctive tone and phrasing that made him stand out from other singers. Mills sang with passion and conviction, delivering some of his best lyrics on songs like \"Parasite\", \"Broken Heart\" and \"Breathe\".

However, Welcome To The Madhouse is not without its flaws. Some of the songs are too formulaic and predictable, relying on clichÃs and stereotypes of hard rock. Some of the lyrics are cheesy and immature, especially on songs like \"Girls Like You\", \"What Would Your Daddy Do\" and \"Something for the Weekend\". Some of the songs are also too long and repetitive, lacking in hooks and originality. The album could have benefited from some editing and trimming to make it more concise and focused. ec8f644aee